{"id":53,"date":"2023-02-28T21:48:57","date_gmt":"2023-02-28T21:48:57","guid":{"rendered":"http:\/\/duostockmarrmacedonio.com\/?page_id=53"},"modified":"2024-11-19T21:18:33","modified_gmt":"2024-11-19T21:18:33","slug":"reviews","status":"publish","type":"page","link":"https:\/\/duostockmarrmacedonio.com\/index.php\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"

“Perfectly attuned to each other,\u00a0<\/i>Becker<\/i><\/span><\/span>\u00a0and Macedonio deliver interpretations that are neither impetuous nor rushed, introspective and profound,\u00a0<\/i>emphasising the music’s lyrical dimension and allowing it to flow\u00a0naturally.”\u00a0<\/i><\/span><\/span><\/strong><\/p>\n

Mariano Acero Ruil\u00f3pez, Scherzo Magazine 2024<\/cite><\/span><\/p>\n

\u2666<\/p>\n

“A particularly convincing vision, where the two musicians distinguish themselves in their dialogue by their mutual understanding, their ample gesture and their fluid breathing reminiscent at times of the ancient version of Wieland Kuijken and Gustav Leonhardt, with princely phrasing … Magnificent in any case, listening to this new Channel release remains highly recommended.”<\/em><\/span><\/p>\n

Pierre Yves Lascar \/ Qobuz Magazine 2021<\/cite><\/span><\/p>\n

\u2666<\/p>\n

“Even for Bach admirers, these are not pieces which instantly give up their secrets, but for the patient listener, there are considerable rewards. It is harder to imagine them performed with more subtle musicianship than by Marie Stockmarr Becker and Ilaria Macedonio.”<\/em><\/span><\/p>\n

Barry Forshaw \/ CD Choice 2021<\/cite><\/span><\/p>\n

\u2666<\/p>\n

“Listening reveals an extraordinary understanding and complicity. A subtly refined musicality that persuades\u00a0<\/em><\/span>and arouses admiration.”\u00a0<\/em><\/span><\/p>\n

S.F. Allegrini \/ Perugia Today 2022<\/cite><\/span><\/p>\n

\u2666<\/p>\n

Read full reviews here<\/strong><\/p>\n

Scherzo Magazine<\/a>\u00a0<\/span><\/span>– CD Graun, W.F. Bach, C.P.E. Bach, 2024<\/span><\/p>\n

Perugia Today<\/a><\/span> \u2013 Concert review, J.S. Bach, his sons and the viola, 2022<\/span><\/p>\n

Bellini News<\/a><\/span> \u2013 CD J.S. Bach sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

Kristeligt Dagblad<\/a><\/span> \u2013 CD J.S. Bach sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

The Strad<\/a><\/span> \u2013 CD J.S. Bach sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

Gramophone<\/a><\/span> \u2013 CD J.S. Bach sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

Dodds-DSD-Discoveries<\/a><\/span> \u2013 J.S. Bach sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

Klassiekezaken<\/a><\/span> \u2013 CD J.S. Bach Sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

CD choice UK<\/a><\/span> \u2013 CD J.S. Bach Sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

Custos<\/a><\/span> \u2013 CD J.S. Bach Sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

Opusklassiek<\/a><\/span> \u2013 CD J.S. Bach Sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

Qobuz descriptif<\/a> <\/span>\u2013 CD J.S. Bach Sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

Il Messaggero<\/a> <\/span>\u2013 Concert J.S. Bach Sonatas for viola (da gamba) and harpsichord, 2021<\/span><\/p>\n

Custos<\/a> <\/span>\u2013 Concert J.S. Bach Sonatas for viola da gamba, 2020<\/span><\/p>\n

Umbriajournal<\/a><\/span>\u00a0\u2013 Concert J.S. Bach Sonatas for viola da gamba, 2019<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\n“Perfectly attuned to each other,\u00a0Becker\u00a0and Macedonio deliver interpretations that are neither impetuous nor rushed, introspective and profound,\u00a0emphasising the music’s lyrical dimension and allowing it to flow\u00a0naturally.”\u00a0 Mariano Acero Ruil\u00f3pez, Scherzo Magazine 2024 \u2666 “A particularly convincing vision, where the two…\n<\/div>\n
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