Selection of thematic programmes
J.S. Bach – Sonatas for viola (da gamba) and harpsichord
Sonata BWV 1027 in G Major Adagio – Allegro ma non tanto – Andante – Allegro moderato
Sonata BWV 1028 in D Major Adagio – Allegro – Andante – Allegro
Sonata BWV 1029 in G minor Vivace – Adagio – Allegro
About the programme
The only preserved material of the three sonatas for viola da gamba and obbligato harpsichord is the manuscript of BWV 1027. For that reason the exact date of composition of these masterpieces can not be established. However the works are estimated to date from around 1730-1740.
Even though the three sonatas BWV 1027-1029 were originally composed for viola da gamba, violists in Bach’s time might as well have played them: the repertoire for viola was rare in the baroque period, but the interest for the viola was growing as shows for example Bach’s 6th Brandenburg Concerto and Telemann’s Viola Concerto. A few decades later, J.S. Bach’s sons Carl Philipp Emanuel and Wilhelm Friedemann both composed for the viola. With this perspective in mind, it is interesting to take a new approach to Bach’s three sonatas for viola da gamba on the viola.
We have released an album with these three sonatas on Channel Classics Records in February 2021.
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The Bach sons and J.G. Graun
Johann Gottlieb Graun (1703-1771)
Sonata for viola and obbligato harpsichord in B Major Grazioso – Allegro – Allegro Moderato
Wilhelm Friedemann Bach (1710-1784)
Sonata for viola and obbligato harpsichord in C minor Adagio e Mesto – Allegro non troppo – Allegro Scherzando
Carl Philipp Emanuel Bach (1714-1788)
Sonata for viola and obbligato harpsichord in G minor Wq 88 Allegro moderato – Larghetto – Allegro assai
About the programme
This programme focuses mainly on the sonatas attributed to Wilhelm Friedemann Bach and Johann Gottlieb Graun. The Sonata in c minor is both attributed to Wilhelm Friedemann Bach and to his violin- and composition mentor Johann Gottlieb Graun. Comparing this quite spectacular c minor sonata to other viola sonatas by J. G. Graun, one finds innovative and strong temperamental elements in it wich rather points to Wilhelm Friedemann Bach as composer. This program proposes Graun’s Sonata in B-flat major for viola and obbligato harpsichord alongside the c minor sonata – and excellent occasion for comparing the styles and expressions in these two pieces.
Carl Philipp Emanuel Bach wrote his Sonata for viola and harpsichord in Berlin in 1759. There exists two different manuscripts of the sonata with passages arranged in different octaves which clearly indicates that the sonata was played on both the viola da gamba and the viola da braccio.
Our upcoming album including this programme will be released during 2024.
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J.S. Bach, his sons and the viola
Johann Sebastian Bach (1685-1750)
Sonata BWV 1027 in G Major or Sonata BWV 1028 in D Major
Wilhelm Friedemann Bach (1710-1784)
Sonata for viola and obbligato harpsichord in C minor Adagio e Mesto – Allegro non troppo – Allegro Scherzando
Carl Philipp Emanuel Bach (1714-1788)
Sonata for viola and obbligato harpsichord in G minor Wq 88 Allegro moderato – Larghetto – Allegro assai
About the programme
This programme containing music of the father Bach and his sons reveals on one side elements which the three composers have in common, on the other side the strong personal styles and the big step taken by the sons towards new musical horizons – through the Galant and Sensitive Style towards the Sturm und Drang and the pre classicism.